Sunday 20 November 2016

And the fake headlines at 10 o’clock…

Due to the sheer weight of fake news headlines and stories that were floating around about the recent US election, there have been a lot of articles written on this subject in the last few days.

These articles ranged from listing websites to avoid and outraged demands to shut all fake news websites down because they are dangerous.

Of course, spreading false rumour is never a good thing. False stories can make people alter the way they think and that will lead to an alteration in the way they act, and if that leads to them voting for someone they wouldn’t have done otherwise, then these fake stories start to become something other than innocent.

Such was the wide-spread nature of these stories due to them being shared more than the genuine news, posterity may well lead to them being read and believed because they overwhelm the truth.

Where does the fake story stop being a bit of a laugh and start to be propaganda, a force for ill and not for fun, a deliberate attempt to mislead and smear someone’s good name?

We’ve seen the devastation wrought when a false account causes an official body to act, just ask Cliff Richard and Sir Leon Brittan’s widow.

Whenever someone casts malicious doubt on the reputation of an individual, it is wrong. When you read stories that are just not true, that are intended to be taken as gospel, it is wrong. We have more access to news than any generation before us, everything is instant, but in that respect it is also far more transient and the falsehoods will be forgotten when something else comes along, but they’ll always be there, a short search and click away.

Imagine, however, that such falsehoods do last, that your reputation has been besmirched, not just for a few days, or a few years, but a few hundred years. How would that feel?

Richard III - the
face of a monster?
I read something else this week - The Daughter of Time  by Josephine Tey. For those who do not know it, it is a novel about a detective flat on his back in hospital in great need of diversion, and is given a selection of portraits to amuse him, one of which intrigues him, for its goodness, and its sadness. He firmly decides that if he were to appear in a court room, his natural place would be on the bench, rather than the dock, and being a detective, he feels he can read faces. So he is pretty shocked to be told that the face belongs to a criminal, a nephew-murdering monster, called Richard Plantagenet - better known as Richard III.

Alan Grant, no, not the one from Jurassic Park, spends the next few weeks of his hospital confinement researching the story of Richard III, approaching the material in the only way he knows how – as a detective. He looks rather at the material that was not intended to be history, not the chronicles, but the administrative records that are far less likely to be influenced by opinion in its need to record fact, such as wardrobes records, proceedings of parliament and the like.

I don’t know that everything that is contained in this volume is 100% true. I suspect no one now does. But what CAN be proven is rather compelling. To cut a long story short, the Tudors, so long revered by everyone, re-wrote history to make a man who was determined to settle peace, an excellent administrator, a great warrior, a diplomat, a fair-minded, NICE, man who cared for his family, into a cardboard-cut-out monster who murdered his nephews. And we’ve all bought it.

OK, specifics. I can’t continue without qualifying this. Let’s start with The Act of Attainder, supplied here by Matt Lewis with my gratitude, sets out the case by Henry VII against Richard, to cause him to be reviled and deposed as ever a rightful king:

Henry VII from the V&A,
he looks haunted to me

Every king, prince and liege lord is bound, in proportion to the loftiness of his estate and pre-eminence, to advance and make available impartial justice [p. vi-276][col. a] in promoting and rewarding virtue and oppressing and punishing vice. Therefore, our sovereign lord, calling to his blessed remembrance this high and great charge enjoined on his royal majesty and estate, not oblivious or unmindful of the unnatural, wicked and great perjuries, treasons, homicides and murders, in shedding infants' blood, with many other wrongs, odious offences and abominations against God and man, and in particular against our said sovereign lord, committed and done by Richard, late duke of Gloucester, calling and naming himself, by usurpation, King Richard III.’ 

The Act mentions ‘shedding infants’ blood’ but does not mention anything specific. If you KNEW that someone who you wanted the world to believe was the worst person ever born had murdered CHILDREN, you’d mention it, right? You’d do more than ‘mention’ it, you’d shout it from the rooftops because it would be the smoking gun, the conflagration that caused the smoke. It would be your entire raison d’etre. And yet you don’t mention it. You waffle, you add in a throw-away line, probably aware of a rumour, but you don’t back it up.

Why?

Because the two ‘infants’ in question are alive and carrying on as they always have. Because Edward V and his brother were still continuing their lessons in the Tower happily enough.  They are not dead. And why is this not explicitly said? Well, when is the last time you saw a headline that stated, ‘Elizabeth II is still alive’ following a period when she’s been hidden away in Scotland or Norfolk? You haven’t. We assume that the status quo exists until otherwise informed.

Elizabeth Woodville, her
beauty ensnared a king, and
ruined a kingdom
More specifics. Elizabeth Woodville, the woman who, according to Titulus Regius - the document that declared in Parliament that the princes were illegitimate - had bigamously married Edward IV, fled to sanctuary in Westminster on the death of her husband. And then left it again, and made friends with Richard, accepted the allowance he chose to pay her, allowed her daughters to take their place at court. Had she felt vulnerable, she could have gone to France, Flanders as her husband had done in 1470. But no. She stayed in England, the England of Richard.

The same Richard who she, it is claimed, KNEW had murdered her sons. What kind of woman would befriend the man who killed her children and not flee with as many of those that were left as she could lay her hands on? Unless she knew they were safe and Richard meant her and her family no harm. Makes more sense, doesn’t it?

She remained at large until February 1487 when she was sent to a nunnery. By Henry VII. Under Richard she was free, under Henry she was not.

The repealing of the Titulus Regius by Henry was to legitimise his wife, Elizabeth of York. It was not read, and every known copy was destroyed. No one was to know the contents. Odd. If you want to refute something you argue against it long and hard. Or not.

Because in legitimising Elizabeth, Henry also, by default, legitimised Prince Edward, making him King Edward V of England, and his brother Richard his rightful heir.

So, who had most to fear from the boys? Richard? Parliament granted him the crown. He didn’t need to kill the boys, they were already neutralised. Or Henry, who by making his wife legitimate had also created a powerful rival for the crown? And if the boys were dead, murdered by Richard, where was the harm in reading the Titulus Regius and then arguing against every point of it? Except of course that also put your wife ahead of you as rightful heir.

Richard, visiting the British
Museum, pretending
not to notice the crowds
When Richard took the throne there were nine potential heirs to it, including his deceased elder brother George’s son who was barred from the throne by the attainder of his father. When Richard died there were still nine heirs. Henry systematically removed them, including Richard’s illegitimate son John, and those that he didn’t get around to, Henry VIII, his son, dealt with. The death of two little boys was abhorrent tragedy; the wholesale wiping out of a dynasty to apparently achieve the very same ends was shrewd politics…

The content in Tey might be put forward in too black and white a form, doesn’t allow for the nuances, maybe she didn’t know of the nuances we now place on the evidence, the novel was written in the 1950s, but the basics are pretty reliable. You can’t escape that there was no specific accusation against Richard before Henry came to the throne, even from the boys’ mother. You can’t escape that Henry had no claim to the throne, and Richard’s was always better, murdered nephews or not.

So, why does every history book state unequivocally that Richard killed his nephews and that Henry VII was just and good and was taking the crown that was his by right? How did we reach a situation where the entire accepted history is bunkum and we rely almost solely on the writings of an Elizabethan playwright for the gospel truth? Should we therefore take as fact that all spies act like James Bond? That there really is a small country in the Alps called Roma Nova? And have you actually tried to enter into a parallel world by pushing a trolley through the wall to reach platform 9 3/4 at King’s Cross?

If we read and believe the Tudor version of Richard, are we not also continuing to endorse the place of fake news in the world, encouraging it even? Why is the story of Richard killing his nephews less outrageous than the Pope endorsing Trump?

Fake news stories use drama, hyperbole and outrage to attract readers, clicks on Facebook.

And if you saw a headline stating ‘Twisted celebrity slaughters innocents in quest for power’ you’d read it.




I am very grateful for the help of Matt Lewis, author of several books about Richard III and more recently Henry III. Find out more about him here.

Friday 4 November 2016

Books of Power

I happened upon a blog post this week via Twitter, which I find to be an Aladdin's Cave of tidbits and gems that you would otherwise never know existed had someone else not re-tweeted them. And this post really got me thinking. You can find it here and do please have a look.

Library at Trinity, Dublin.
This is how I envisage the Library of Babel.
Borges' version has hexagonal galleries.

If you don't have time now, that's fine but do come back. The writer of this post, Chris Rose, chooses five books that have had the most influence on him.

For a reader that is an enticing thought - which, of all the books I have ever read, have had the most influence on me?

When I started to think about this, I wanted to qualify that phrase 'influence on me'. In what way? Influenced me to write? To read more? To research? Or just one that remains with me, a favourite?

If I were to choose my favourite books, they would probably include some of the same in this list, but there would be differences. I admit that at least one of the books on my own personal 'influence' list would not necessarily make it to my desert island with me. And there are those that I would have with me on the golden sands under the white heat of the sun that I wouldn't say influenced me.

So, what did I pick to be on my list? I have to warn you that you won't find any classics here, and probably only one of these would ever make it onto a list of required reading. But what influences us need not be high brow, literary and intellectual, but can be more humble and have no motive other than to entertain.

And so, here goes, and in no particular order:

The Wild Hunt by Elizabeth Chadwick

This novel more than any other showed me that it was possible for a medieval romance to be more than ripped bodices and hysteria. The melodrama in most historical romances that I had read up to finding this novel was overwhelming, and they were filled with over-the-top characters who could not decide if they wanted to be strong and in charge or happy to swoon in front of the handsome man. The characters in this novel behaved rationally and were somehow more serene and yet still vital and engaging. This first published novel by Chadwick was an eye-opener.

Fictions by Jorge Luis Borges

This volume of short stories I read in Spanish and actually I never did get round to reading it in English. I have two volumes of his, but most of the stories I like are in this one.

'The Library of Babel' discusses the existence of an eternal and infinite library in which there is one volume each of every possible combination of letters, so it will include the works of Jane Austen, Shakespeare, Cervantes, and yet it will have a volume that is entirely devoid of print. And another with just one letter, and another with just one letter, but on a different page.

'Pierre Menard, the Author of the Quixote' is rather bizarre but I think it should be required reading. The story is a critique on two books - 'Don Quixote' by Cervantes and 'Don Quixote' by Pierre Menard, a modern writer who set out to write Don Quixote and wrote an identical book to that of Cervantes. But the critic reads the two volumes differently. He likes Cervantes' version, it is true to his time and he believes what he writes. However, the Menard version, a word-for-word reconstruction, is full of affectation and anachronism and yet its ambiguity renders it richer than Cervantes' version. 

The story's intention is to explain that you have to take into account the motive and mindset of the writer to understand and appreciate the writing. It explains why 'Carry On' films are still so funny and yet so very un-PC, and why the newest version, 'Carry On Columbus', didn't work although we still laugh uproariously at 'Carry On Up The Khyber' and 'Carry On Doctor'. 'Columbus' was inescapably a product of its time, and time had moved on.

The Fifth Quarter by Kim Chesher

I salute you if you have heard of this. I really do! I found this in my school library and I was addicted. I photocopied a version I asked the local library to find me some years later so I could keep it as it was many years out of print, and then I managed to obtain a copy through Amazon Marketplace. So I am now legal!

This book was written for teens but don't let that put you off, it is well written and sensitively written. There is only one glaring error, but I am happy to overlook it. I won't tell you what, find a copy and read it for yourself. It introduced me to smugglers on Romney Marsh and the 'what if' of history. Now we know what happened to the Dauphin during the French Revolution, remains have been found and DNA used to identify them. He was likely murdered, certainly he died. But when this novel was written that wasn't known, and it was quite possible to imagine that he turned up on Romney Marsh. The title of the novel comes from the belief that there were four quarters of the Earth, and then Romney Marsh, the fifth quarter.

Brother Cadfael's Penance by Ellis Peters

All the Brother Cadfael books are brilliant. So to choose just one should be tricky. But it isn't. This particular volume is a little different from the others. Cadfael leaves the enclave of Shrewsbury, where most of the other books take place, to seek out his son who has fallen into the hands of an enemy, Philip FitzRobert, one who had been his friend. It isn't the story as such, although it is an absolute delight and is a sequel to my other favourite, The 'Virgin In The Ice', but it is the stunning narrative, the descriptive passages, particularly how she portrays this enemy of Cadfael's son Olivier. They are mostly single sentences that are so carefully structured that they illuminate his character more perfectly than another author could do with a whole page. Whenever I am at a loss I turn to this novel and I always find inspiration. If I could write like anyone who has ever put pen to paper, it would be Ellis Peters.

And finally....

Here Be Dragons by Sharon Penman

This was not the first of her novels that I read, that honour goes to 'The Sunne in Splendour', the longest novel I have ever read and the only one I have ever fetched from the library in hardback whilst owning the softback because of the sheer size of it had to be seen to be believed.

No, this was not vast in size, but it was vast in its effect on me. For this one single book was the sole reason for my choice of university.

This is the story of Llywelyn Fawr, a Welsh Prince who is one of those wonderful characters who lived a life less ordinary. For me, Penman's portrayal will always be the real Llywelyn. Even after having studied him under the two most eminent Welsh history professors of their (and my) time. I knew nothing of the history of Wales before this and studying at the only Welsh History department in the UK merely filled in the gaps, so thorough was Penman's research and writing. Strangely enough 'The Reckoning', the novel she wrote about Llywelyn the Last, Llywelyn Fawr's grandson, didn't have such a lasting impression, although the man himself did.

As I said earlier, these may not necessarily count as my favourite books (Cadfael has been read too many times to be counted, as has The Fifth Quarter) but however much I like 'Pride and Prejudice' or the character of Anne Elliott in 'Persuasion', they haven't changed me. I suppose my soul is richer for having read them, but they didn't alter my trajectory or change my understanding of the world as these books have.

Now I've told you mine, tell me about yours. What books set you on a different path? Which writer changed your life?